Christie Bartlett, Founding Director of Ursaenke Society, San Francisco talks about the history of Urasenke, why tea gatherings matter today, and the ripple effect of “peace through a bowl of tea.”

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An excellent video from “Let’s Visit Tokyo” provides a detailed look at what really happens during a private tea ceremony in a small tea hut in Nezu Garden in Tokyo. The video shows the whole “light-tea” portion of a tea ceremony. Be sure to check this one out!

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A scene of the Chapter "SEKI YA"(Gate Hut) of Illustrated handscroll of Tale of Genji (written by MURASAKI SHIKIBU).

BY AMIN GHADIMI – We live in a beautiful world.

Or do we? Every day the evidence to the contrary seems to mount, and to make such a sweeping claim in the face of so much national and global adversity feels fatuous, even callous and perhaps cruel.

But “everyone recognizes beauty / only because of ugliness,” claims the second verse of Jonathan Star’s translation of the Tao Te Ching. Perhaps we can sift through our ugly world and, despite ourselves, despite everything, winnow out all the dross that defiles it.

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Beginning on January 16 and lasting 5 days, Urasenke held its annual New Year’s Tea Celebration at Urasenke’s Tokyo Branch headquarters.

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Read about the 2008 Hatsugama in English (Similar utensils, scrolls, and flowers are used from year to year. This should give English readers a better understanding of Urasenke’s Hatsugama-shiki.)

Tea-leaf Storage Jar, named Chigusa, Southern China, Southern Song or Yuan dynasty 13th-14th century, Stoneware with iron glaze, H: 41.8 cm., Freer Gallery of Art.

WASHINGTON, DC.- A humble jar widely revered as an icon of Japanese tea culture has been acquired by the Smithsonian’s Freer Gallery of Art. The jar was purchased at an auction held by Christie’s in New York City Sept. 17. The jar, made in China during the late Southern Song or Yuan dynasty (13th or 14th century) and shipped to Japan as a container for a commercial product, developed a distinguished pedigree in the hands of influential tea connoisseurs, collectors and rulers who used it for storing precious tea and displayed it in their tearooms between the 15th and 20th centuries.

“This handsome jar has been admired and sought after by Japanese tea masters for half a millennium,” said James Ulak, deputy director of the Freer and Arthur M. Sackler galleries. “As the documentation shows, its surface has been admired and caressed by a who’s who of Japan’s cultural giants from the 15th century forward. It is extremely rare to find such a storied work on the market.”

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Alex Fraser of the Epoch Times recently wrote a 4 part series on the 4 principles of Japanese Tea Ceremony. Here are links to each of the articles.

1. Introduction
2. WA – Harmony
3. KEI – Respect
4. SEI – Purity
5. JAKU – Tranquility